من ملامح الدلالات البديعية بين تفسيري ((في ظلال القرآن)‎)‎ و ((التصوير الفني في القرآن)‎)‎ لسيد قطب

Abstract EN

There is no doubt that the Noble Qur’an is the miraculous word of God in his legislation, his sciences, and his language, and the source of rulings from belief and literature.

As for the miracles in terms of legislation, minds marvel at its adequate rulings in every time and place and in all the beliefs, worship, dealings, morals and so forth that people need.

And miracles in terms of language and literature, so the minds and minds wonder, including the miracles, ingenuity, the utmost rhetoric, and the goal of harmony, harmony, harmony and proportionality.

Words play the primary role in communicating the concept between all the world's languages.

Among the sciences used in the process of interpretation, the science of rhetoric has a special place, as it is an important criterion for establishing the scientific standing and the ability of scholars.

The Noble Qur’an contains many examples of Badi science.

There are verbal and moral advantages in the Qur’an that are emphasized by Qur’anic interpretations.

In the process of interpretation, and due to the expansion of the types of rhetorical faces, it can be studied from different angles, but what has been studied in this article is the literary view of the Badi between the two interpretations of “In the Shadows of the Qur’an” and “Artistic Imagination in the Qur’an” by Sayyid Qutb.

In both interpretations, Sayyid Qutb interprets the verses according to a new look and new standards, which are placed in the position of similarity and difference.

This article discusses new commonalities between the two interpretations and analyzes the differences between the two works separately; Which indicates the simple view of Sayyid Qutb in innovation