دراسة مقارنة بين عناصر المنادمة في الخمرية المادية و العرفانية : خمريات أبي نواس و حافظ نموذجا

Abstract EN

Wine and euphoric drinks have been catching eyes in the circle of the poets and the litterateur for a long time and have enchanted abundant poets of various originalities, languages, geography cultures, religions and schools of thought to such an extent that it has been discussed as a great portion of the literature and has made the poets to develop their own approaches and themes.

Generally, Kamriya poetry is of two types: mystical and material.

The poet of the former type, does not refer to grape-made wine and exploits wine for the spiritual thrill and divine intimacy which is referred to as the mystical approach.

When it comes to the material wine, on the other hand, the poet talks about wine in its literal sense and describes physical excitement and all the intoxicant features.

Whether mystical or physical, Kamriya is recited in the forms of stories, lyrics and plays among which Monadame appears as a form in which the poet simultaneously makes use of the elements such as company, cupbearer, musician, Shaahid (servant) and beloved.

Based on the works of two prominent material and mystical poets, this study analyzes and compares the elements According to the conclusion, in both material and mystical poems, all the elements of Monadame ceremonial have been applied.

In the mystical Kamriya, though, the beloved has been more stressed rather than other elements and it displays various manifestations.

The method used in this paper is Descriptive-analytical.