في انبناء الظاهرة الإيقاعية

Abstract EN

In this study, we have been keen to shed light on the most complex and most shifting critical issues that overcomes every determination of control, so the rhythm was our starting point and our goal through analytical and indicative introductions of the rhythm, its speculations, and its rupture.

Our objective from dealing with rhythm research methods was not historical and collective of different opinions, perceptions, intellectual, literary, and scientific trends that studied the rhythm and analyzed its paths.

Rather, our motive was to try to break out with the terminological and semantic nebula that printed rhythmic studies.

So, we occupied ourselves of the rhythm as a meaning constructor, event incentive and action developer through colors, animations, and audiovisual worlds such as mental, aesthetic and semi – physiological aspects.

Accordingly, we tried to divide this study into several parts.

We devoted it to tracing the concept of rhythm and controlling its representations and its structural, psychological, and semiotic dimensions.