العجائبي في روايات "عز الدين جلاوجي"

Abstract EN

The Algerian narration was known to the novelist “Ezzedine Djellouji” as a transcendence of the old forms and the consumed content in a unique experience in writing that carries privacy and distinction in language, content, and style.

What is more, the Algerian narration is subjected to experimentation by getting into a controversial role between the narrator and the narrative.

It looks for new artistic relationships that draw on the scenery of the speech.

That is, writing style with one semantic dimension is no longer able to face the momentum of critical theories that are always looking for what is deviant.

Thus, it carries its significance that does not require a different interpretation.

So, it becomes clear that the indication of one symbolic dimension can be easily discovered.

Ezzedine Djellouji, then, resorted to conversing old forms to new ones according to a recent classification dictated by the ideological and political considerations.

The novel was an aesthetically statement, and a culturally mediator, and a communication bridge in the history of the general narration.