العرض المسرحي الكوميدي بين الفعل و التلقي

Abstract EN

Comedy has been trying to repair the flaws of society and practice social criticism on some phenomena of behavior that does not fall within the circle of threat, as much as it contributed to strengthening society‟s unity by getting rid of some of the social aspects that can destroy it.

Comedy in this way does not portray society, but defends its values, calls for it and punishes and ridicules the individual who revolts against it, as it ridicules everything that is abnormal, or exaggerated.

Thus, the difference in comedy theater in all its forms and types did not eliminate the existence of the phenomenon of the comedic theater, which was associated with the culture of society, where comedy and comedic theater took their full right to study deeply more than the phenomenon of humor itself, and as a result of the overlap between the concept of laughter and the comedic theater, one affects the other in its construction and spread.

It is not possible to separate laughter from humans and their traits, behavior, attitudes, desires and motivations in that it forms the image of humans in their ways, which evoke laughter expressed in body, appearance, color and uniform along with language, pronunciation and style.

Comedy theater has by necessity formed a cognitive theatrical discourse that invests in the human nature directed to it in order to achieve the highest degree of individual freedom.

Comedy in theater may be the result of collapse, frustration and helplessness it may be an attempt by the individual to show his superiority or victory, or may be an expression of the concealment of his helplessness in front of others and an escape from this helplessness in an attempt to create his own perception that is adaptable to life.