فلسفة اللقطة ديمومة الحركة : استنطاق الصورةعند جيل دولوز

Abstract EN

I have discussed three axesin our first research: what is the cinematic framwork and its philosophical role in the production of the shot, and Gill Deleuze seeksto show the curve of the frame, its boundaries and the mechanisms of its control, which are characterized by sufficient saturation of the shots to be a dynamic sence that reaches us the movement's sustainbility with its engineering and physical dimensions and the methods of sound effeects which are outside and in inside through image.

To achieve and emphasize one subject in which the movement is divided into parts in its particales and a whole in its wholeety to broadcast a word of multiple ideas.

The second was the shots, and how Gill Deleuze managed to transform it into a philosophical position by presenting the concepts of controvery, overlapping, and contradictions.

I have dealt with only three types of montage: the organic, exciting emotion and the lighting montage, through which I have attempted to put forward many philosophical concepts, including matter, energy, structural relation, physical and engineering relations that are part of the movement's contcepts.

As for the third axis, I have dealt with picture, which is the act of movement, which is all that denotes the parts, and vice versa.

It is the exporation of ideas, the excitement and purification of the recipient, it is the relationship beteewn the realist and ideal, it is spreaded throughout the unvierse in good and bad nature, and through which I have dealt with two types of: "image-action" are the ways and forces psychological experiences and "imag-emotion" which is the relationship of the image to the recipient, a relationship of affected and influence and a relationshp of cultures and understanding the meaning of meaning.