الملامح الثورية في ديوان "إرهاصات سرابية" لمحمد بلقاسم خمار

Abstract EN

Critical studies agree that most modern Algerian poetry started as a reformist conservative, following in the footsteps of the traditional poets and adhering to the old rhythmic form and the reformist content defined by the Association of Muslim Scholars, which was of an educational and educational nature, but it did not last long; The so-called revolutionary poetry that blended religious content on the one hand and romantic tears and dreamer together on the other, which made it well received and accepted by the recipient,To illustrate the impact of this trend on modern Algerian poetry, we chose a research entitled: The revolutionary features in the Office of "Sarabat Sarabi" by Mohamed Belkacem Khemar