الملامح السيميائية في الشعر الجزائري الحديث : ديوان تحت ظلال الزيتون لمفدي زكريا أنموذجا

Abstract EN

PracticallySemiotique is one of the most important contemporary critical methods in the study and criticism of literature.

It has been able, despite its modernity, to impose itself in the history of literary thought, and occupies a distinct position among the critical curricula.

It is a new vision and approach in dealing with issues of literary affairs and in the formulation and construction of its frontiers and edifices, and this made me address the Office of the poet of the revolution, we can texts according to a semiotic vision, trying to highlight the following points and others: - The texts of the poet full of strength and significance of what it carries to express and fulfill the linguistic and s Semiotique purposes parallel to the poet's thought and poetic ambition.

- The originality of the language of the poet is driven by commercial poetic modernity and curricula critical (Semiotique).

- Investigate the mechanisms of Semiotique approach and show the extent to which they achieve meaning.

What is the truth of this approach? What are its origins? What are the pillars of the analysis? How did the Semiotique features of the Diwan of MufdiZakariya manifested tahtdilalalzaytun? To what extent can semiotic analysis contribute to its invisibility hidden in the realms of poetic worlds in the poetry of Mufdi Zechariah?