تمثلات التجريدية في رسوم فناني البصرة

Abstract EN

Abstract The abstract her art their own characteristics, which have reflected on the fine arts, so The research study (representations of abstract in artists Basra fee) is located in four chapters: The first chapter discusses the research problem, which outlined the researcher following of questions: (How consisted abstract in fees artists Basra? was it the visual palette leadership in clarifying the identity with their dealings with the system formed according to the abstract painting and the method embodied in a painting?) mechanisms.

Hence the importance of research and the need to him, the goal of the research, the limits of the search, and specify search terms.

The second chapter, which represents the framework theoretical and previous studies, and contains three sections, the first section the foundations of abstraction in contemporary art in general, according to the different periods of time, and the second section has touched a figure in abstract art, and the third section fine movement in Basra (view historical).

The third section title search download procedures, was the choice of the research methodology used in the analysis of the sample and then determine the research community and the selection of the sample of it, then the selection of the search tool to achieve his goals, and then analyze the sample models.

The fourth quarter results have been included and discussed reached by the researcher through the research sample analyzed and the conclusions also included a number of recommendations and suggestions, and the most important results: ١.

artist contributed through geometric formations in the models (٣-٤) in the work load of aesthetic value through straighter lines and intersection, and the angles resulting expressed rhythms and Tkarha.az that the geometric shapes in nature abstract pure result in dialogue with the mentality and pause contemplative away scenes for static created by the shapes embodied, to achieve dynamic interaction with the viewer through transitions lines or distribution formats rhythmic.

٢.

discrepancy in the linear layout of the model number contributed to (١) characterized by sinuous lines in internal body shape, straight lines in foreign compositions in the creation of aesthetic value.

This value is also achieved in the model number (٤) in the internal morphological formations.

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