المفاضلة بين اللغة الفصيحة و اللغة العامية في المسرح العربي

Abstract EN

The theater overlapping structure where the structures and multiple language and as the third indicative and components of no value outside what is suggested by the viewer, and the location where the, to be the language of the real impact of its technical contexts, intellectual levels, so that the disclosure of the components of this infrastructure straddling stocks.

It was therefore the theatrical speech wide and open, produce multiple readings, which in turn generate an interaction between the scenes and the representative or personal, Language Method connected to each such interference, all this interdependence and interaction.

whether Classical Arabic language or Vernacular, since the purpose of all this is not fanaticism to specific language, but to the transparency of the language that leave the public does not find difficulty in receiving their ideas, or elaborate its understanding because it is linked to the positions, and evolve and grow without interruption while watching the spectators of events and personalities, so he can integrate with them, and vulnerability to that position, or to express his opinion in.