الرؤية التاريخية و أبعادها الدلالية في مسرح أحمد علي باكثير

Abstract EN

This study sought to monitor the major historical epistemological contexts and their semantic dimensions in the play (On the Walls of Damascus) by Ahmed Ali Bakatheer to stand up to the attempt to resurrect history and its revival in order to influence the recipient in an artistic way in which the writer intends to historical projections on the painful and violent reality and the concerns of fear of the future starting from Fear of losing religious identity to an obsession with moral corruption and from it to social and ideological and political reform.