السرد الحكائي بين مسرح شكسبير و علولة : دراسة مقارنة

Abstract EN

The term narrative is associated with literary genres, especially prose; The story, the novel, and that appears through employing the mechanisms of narration at the level of the text.

As for the play, because it is a genus that is not complete without representation, the narration loses its aesthetic, and that is because the time of the play’s presentation is not sufficient to realize these aesthetics.

Such as the knowledge of the characters, their desires, their tendencies, their tendencies and their natures, regardless of whether the show is rich in terms of decoration, accessories and clothes, and the playwright, the likes of Shakespeare, Brecht and Abdelkader Alloula - no according to his need - to bridge this narrative gap, so he will enrich it.

And occupy it with the storytelling element, so what is the concept of story-telling at the stage level? And how did William Shakespeare and Abdelkader Alloula employ the mechanisms of storytelling? What are the similarities and differences in terms of employing these mechanisms?