حضور الانكتة و الأغنية الشعبية في مسرح و نوس

Abstract EN

The Arabe theater began as a heritage, and the heritage is still its basic feature to confirm its Arab nature.

Therefore, most Arab playwrights tried to take advantage of the popular heritage forms and phenomena in terms of form and content in their endeavor to establish Arab theater The return to the folklore was a result of a set of political, social and economic factors that all helped On creating national awareness among the writers, they found in the heritage the best expression of the feelings of pain and sadness in their chests for the fate of the Arab nation, and they realized that employing the folklore through what it contained in popular beliefs, stories, stories, songs and jokes that were taking place on public tongues would bring them communication between the past.

And the present also brings them closer to the conscience of the masses because the latter holds a place in the memory of peoples and the conscience of nations