التشكيل الإبداعي في القصص الشعري الغرامي في شعر بشار بن برد

Abstract EN

The prevalent in the ancient critical tradition is that poetry is an art, and the art of love poems has taken its place on its throne, so the pre-Islamic poet sang and loved his beloved, and cried for her separation and departure.

In the early days of Islam, two opposing currents appeared in this art: (platonic and sensual).

Each loved the woman in his own way, and each of them has his supporters and followers, The Abbasid era knew poets who were able to dive into this genre, including Al-Marath Bashar bin Burd.

His poems in this field drew the attention of scholars (the ancient and modern), but this gesture was moral and was characterized by negativity, so they accused him of immorality, and they did not realize that this poet had exceeded the limits of love poems.

To move to the art of poetic love stories, although he was not the first to this, he excelled in it, through which he narrated the feelings of the lovers (characters), and conveyed their dialogues, and the events that befell them, in a way that surpassed the sighted, and appeared in a distinct creative formation.

This study seeks to find out the manifestations of the art of romantic stories in the poems of Bashar bin Burd, and to clarify the most important mechanisms adopted by the poet.