التناص و موسيقى القصيدة العربية ديوان"رنين و حنين" لمبروك زيد الخير أنموذجا

Abstract EN

A meditater of Arabic poetry in its long history will find that intersection between its texts, an intersection that has taken different names: such as “evocation”, “ plagiarism”, “inclusion”, then “intertextuality” in contemporary criticism.

In our study, we will try to present examples of ancient and modern Arabic poetry through which we monitor the phenomenon of intertextuality, and search for its causes and motives, We have taken the diwan of Mabrouk Zaid al-Khair's "Ranin wa Hanin" as a model for this study, as it includes the presence of this phenomenon.

Are there reasons that pushed the poet to him? Or is the matter nothing more than a consensus of vision and feeling, and is it only a matter of chance? Does the poem's music have anything to do with this?