الصورة المهشمة في الشعر الجاهلي

Abstract EN

The pre- Islamic poem expressed a psychological conflict of the old poet.

The (Ego) is the human integration and penetrated with its artistic images binary contents that tried as much as possible to reconcile what the society was at that time and what the poet wanted to reach as the aim of poetry.

He combined the tangible and the imaginary, and he clear and illusion.

This created in some of the lines and verses a kind of tension and time-distance, as well as place-distance in understanding the meaning.

This broke its horizontal course on the way of cognizant continuity.

This built the axis that gave the recipient questions and justification in making possible kinds of significance as well as the unlikely connotations of the text.

Thus, the image has broken and the elements enlarged the gap between the indicators and the possibilities of interpretation.

This gave the images special beauty that took it away from the monotony of the age and its taste.