آليات توظيف اللغة الدرامية في أداء الممثل المسرحي : مسرحية (موت مواطن عنيد أنموذجا)‎ : دراسة تحليلية

Abstract EN

The "controversy" was still present in the "performance" of the actor, which we find in the continuous evolution of his systems (sound) and (physical) to find a clear presence of many interpretations of psychologists about the (personality) and dimensions, as well as philosophers who considered art in general and the theater in particular, About binary (exile And persistence), to remain the representative of a continuing instrument and influential Chax studies called for the (death of personality) as life in a constant renewal, which requires the removal of old taboos that clung to the theater over decades, but this did not happen at the level of (actor) From theater theorists to break the oaths and reduce its importance in comparison with the importance of subjects that are on stage and need to be stopped.

And the treatment of the recipient, who should be given a greater role to become the role of participant and thinker and critic, relying on the environment and projections affecting the recipient and representative at the same time, despite the entry of digital technology to the stage, but could not work on the direction of the performance (Representative) Dramatic cross-cross cultures between the West and East, which expanded the options of the actor performance, and thus the researcher aims to follow the mechanisms of dramatic language and how to use them on the level of voice and physical performance Representative.