الخطاب الحضاري في البنى التصميمية للفضاءات الداخلية المعاصرة

Abstract EN

A nation of the civilized world has not risen to the highest levels of human progress and development unless it establishes itself as an asset of culture, knowledge and strategic aspirations to be based on intellectual references reflecting the nature of civilization and the summary of the social, political and cognitive experience which collectively represent the present and is a positive incentive For the future differentiation that inevitably enriches the march of subsequent generations of those nations.

The objective truth can not be avoided in the importance of preserving the conjugal symbols and the semantic signs loaded with form, especially in the fields of architecture and interior designs.

The importance of understanding and assimilating the designer to the processes of the general meaning of the design structures and their reference evidence and the accuracy of their intellectual outputs, when initiating the designs of the spaces that the function exudes, the historical and cultural and cultural reflection of the society concerned with the design and highlighting its specificity and status as a supreme human value.

This is what the researcher tried to highlight in his research tagged:
(Civilization discourse in the design structures of contemporary interior spaces).

The choice of the research community was the public institutions' spaces, through which the designer seeks to achieve the results of his research, because of its important and clear role in attracting large numbers of reviewers at different levels of class, and this is what was researched, because of its clear association in the language of cultural discourse in the fields Applied architecture and interior design in our time, engineering bodies enrich the recipient with its visual aesthetic, which have an active presence in the eye of the recipient, to establish aesthetic dimension in his mind, which the designer intends to communicate in a clear and sometimes intense manner, to give users reflections and interpretations in their spaces used by Gh deliver a civilized and civilized, through employments designer pillar in space and the structure of its assets, the language of a civilized era, serve as a step with the rhythm of processions in Tobeiratha shapes and bodies of today's architecture, which is in a renewed mechanism, discloses frank and global configurations.

Its aim is to create an ideal hybrid world with its editorial variables that create general sensibilities without the ence of identity, and the basic self of the designer, through the designer 's interaction with a space belonging to a particular society, through which many customs, traditions and typologies take root.

He tries with his experience and methods of employment, to create contemporary interior designs, and enable users and occupants of space to deal with and accept them through the intentions of the designer, using his tools within it, to establish the theoretical design, intellectual and practical application, aesthetic values invoked for innovative systems related to the discourse of modern interior designs Without the ence of his identity, in a civilized manner that imitates the language of modern times.