قضية الطبع و الصنعة بين النقاد المشارقة و الأندلسيين : دراسة موازنة

Abstract EN

The critical discourse presented an effective critical vision in the issue of printing and craftsmanship, and the reference for this stems from his insightful view that the creative formation requires two poetic moments from which the creative work emerges with all its categories of poetry and prose.

It differs from one person to another, and the second moment is complemented by the owner of the talent by criticizing his poetic work, decorating it and producing it completely constructed, which is what poets have resorted to in all ages, but there are critics who put an end between them, and the reference to that preferential limit for poets of printing or craftsmanship is to the issue of conflict between Old and new as well as the difference of these two terms in time and art, as their connotations expanded to include the term printing of ancient poets However, there are those who took the path of modern poets and made them.