أفق الرؤية في ديوان فصوص التناهي و التجلي للشاعر ناصر اسطنبول : مقاربة سيميائية

Abstract EN

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Not more than 100 wordsThe poetic text is replete with a prolific abundance of intense language, harmonious expressions, poignant contents and sincere emotions, which made it possible for the readers to legitimize reading and open the doors to endless possibilities of inspiration and interpretation, and set up multiple textual practices and semiotics of reading in contemporary aesthetics or linguistics.

Hence, it seems to us that the language of contemporary poetry has become a language of revelation and manifestation, and not a language of description, indicating the dimensions of life in its details, because the poet falls under its shadow without watching it; This required the creation of a new language that fits his new experience, and what increased the urgency to create a new linguistic system that would change what was old, and also required the creation of a new cultural structure through which he could capture the vast areas of life.

We would like to point out that the time of rhetoric and classical metaphor has passed, the language and the dimensions it evokes by means of similes, metaphors, and metaphors have passed, and the time of the free poem celebrating the poetry of space, the geometry of rhythm and the visual of writing has come; That language that opened its orbits and provided and built for the poet an extended horizon, or what we might call eloquently the visual metaphor that affects the recipient with the sensitivity of the language and the visual forms that it provokes.

Accordingly, we seek in this research paper to question the superficial structures in the Divan of Fosoul Al-Tanahi and Al-Tajalli by the poet Nasser Istanbul, which contain implicit connotations that are perceived by the subconscious mind and insight, as well as by sight and what the eye sees.

? Is the semiotic procedure sufficient to manage this creative poetic pattern?