التجليات الفينومينولوجية في مسرح المواقف السارتري

Abstract EN

Sartre's plays, with their depth, complexity, and wide range of topics, require careful reading that can provide time for reflection and thought.

In his writing on the terms of representing plays because he considered them to be writings rather than the subject of a presentation, although he was upset with his plays, in addition to the fact that the themes of his theater belonged to an ancient era, he gave up writing new plays because he was convinced that the time of individual creativity had passed and that the new role For the playwright is the constant participation in the collective theater.