البنية الإيقاعية و حدود الشعر بين الشيخ طاهر الجزائري و أحمد يوسف

Abstract EN

The rhythmic structure of the poetic text represents one of the most important areas of analysis that furnishes the concept of poetic and literary as both the creative and the reader.

The essence of the poetic text through conscious reading is a general feature that reflects the rhythm of codes and concepts that attempt to highlight the boundaries of this genre Literary literature.

Thus, the reading of the structure witnessed two stages in the Algerian criticism process (the stage of context) and (the stage of design).

Thus, the two models of each stage were highlighted to highlight the mechanisms of analysis and control of the concepts and stages of transformation desired by Sheikh Taher al-Jazairi and Ahmed Yousef.

To what extent do the manifestations of constitutive reading in the process of Algerian criticism appear between context and format? What are the limits of hair and reflections of structure in analysis? What is the addition presented by Sheikh Taher al-Jazairi and Ahmed Yousef to the systematic studies?