مأزق الهوية و الانتماء في أفلام سينما المهجر بوشارب، مرزاق علواش، لياس سالم

Abstract EN

The identity manuscript is the cornerstone of the act of citizenship, and almost all cinematic films reflect this element in the film, whether in terms of production that defines the country, or in terms of the timid approach, which in turn draws the character of ego and belonging in many types of films: historical, war, revolutionary, Sir.

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Based on this cinematic point, I will try to present in my research the problem of the ego and the other in the films (Andijan and Outlaws / Rachid Bouchareb - Normal / Merzak Allwash - El Wahrani / Lias Salem), It is one of the sap of diaspora cinema, through which the dilemma of identity and belonging is deeply manifested, as the director searches for the lost (self) between two homelands (home of origin / domicile of residence) and two different cultures and opposite histories in a contradiction reflected in the content of the film that these directors tried to reconstruct from the distorted horizon of my identities, referring to To the predicament of (the ego) associated with societal and civilized perceptions of the (other) who.

cannot be (the ego) in any way