تقنيات السرد الروائي و خلق الأيديولوجيا

Abstract EN

This research deals with an important aspect of the author's tools in creating his fictional world, which is known as narrative narrative techniques, and these techniques are in themselves what motivates the narrative act, and they are distributed between the novelist's saying and the fictional novelist itself.

These dynamics of the narration process appear in the author himself, or the self that the author creates in his world, from the narrator and the character.

The most prominent of these techniques, in our view, that affect the dissemination of the author's ideologies, or - let's say the ideologies of the narrative - appear in the author's intervention in the narration process, and the same intervention appears in all fictional works, but it varies in its degree on the one hand, and in the location from which this intervention emerges on the one hand.

Other.

The writers differ among themselves in the degree of intervention according to what the author allows of the distance between him and the active subject in the narration process.

The techniques other than intervention were of two types; The first: the narratives of the text and the parallel text, and the second: the discourse of the text and the parallel text.

The first type includes changing the pronoun of narration, dialogue, polyphony, different perspectives, title, preface, and commentary.

The second type includes the stream of consciousness, the discourse of the self, the discourse of the margins, the discourse of immanence, and the discourse of opacity.