مفهوم البطل : أسطرة الشخصية : المحورية دراسة في رواية "دير ورق"

Abstract EN

The concept of “hero” in ancient critical studies on narration, drama and cinema was of great importance as the most exclusive concept of the receiving audience, and it was meant the character that dominates the events and is its center, its main focus and its dominant center.

The main and the central character when all events work in the service of, around and for this character, so the term “hero” was conceptually running this course in the context of directing full attention towards this character, in terms of its characteristics, qualities, modalities, concerns, purposes and narrative actions from the beginning of the artwork until its end, She is a central figure that enters into all layers of the narration, as "the hero in the fictional work has great importance, which is manifested in the fact that he represents the main character in the novel, which is affected by all the elements of the narrative construction and affects it, and therefore the novelist pays great care to the character of the hero, highlighting its various aspects.

" The one who serves the various other elements of the novel in a way that it develops, and serves the entire work in its final form, so that it forms a central character that has been theorized a lot in a blogger.

Narrative criticism.

The character of the "hero" in the novel "Deir Warak" by the novelist Muhammad Rafie is present in an almost mythical manner, based on the exceptional actions of the character "Uqlat al-Sa'ada", a pivotal character monitored by the omniscient narrator from her birth to her death, and the narrative acts in between that cannot be described.

It is played by a natural character, and there is a strong tripartite relationship between this character and the place "Deir Warak" that cannot be separated or underestimated, and between the other characters of the narrator.