جمالية النص الشعري في ديواني (هي أمي)‎ و (قوافل الراحلين)‎ لعبد الرحمن العشماوي

Abstract EN

This research seeks to reveal relationship between the aesthetic of poetic art and the indulgence of its verbal and semantic images that represents the heart's pleasures and sad sorrow, and between a major totalitarian issue with an existential and deterministic reality undoubtedly occurring, it is the cause of death that one suffers from suffering from the first moment he lost a close human spirit For himself and his conscience.

Death is disaster, and the poet cannot ignore or transcend its axis, because it represents an honest psychological emitter for an emotional experience that reinforces the elements of the text constructively and meaning.

We have chosen in this research on two modern collections of a contemporary poet, whose poetry is growing in this field in the ranks of creativity pulsed with sad experiences of loss.

ThePoetic collection (Diwan) ( Hea Umee) (she is my mother) whose poems are all written between crying tears and burning feelings, while the other Poetic collection (Diwan) ( Qwafel Ar-Rahleen) (the convoys of the departed) mourned the lament of multiple personalities in artistic paintings that the poet sympathized religiously, culturally and socially, .

According to this the research is drawn up through a structural scheme that is divided according to The introduction of theory and four axes sequenced as follows: 1- Poetic self-efficacy 2- Correspondence of the senses 3- Linguistic coordination 4- Rhythm harmony, then a conclusion summarizing the results of the analytical vision of the aesthetic of the poems that contained creativity in It