التمثيل الجمالي للسرد التاريخي : في رواية الجنرال خلف الله مسعود (الأمعاء الخاوية)‎ لمحمد الكامل بن زيد

Abstract EN

The relationship between the novel and history appears thorny at first glance, and this (historical) narrative form is a creative form that presents an artistic truth that expresses its artistic sincerity in three ways: amusement, persuasion and influence, which are stylistic means as it is known in literary criticism.

As for the question of history, it requires that Al-Kamil bin Zaid wear another garment, which is the dress of the historian.

This ambiguity imposes scientific honesty in presenting the objective truth, and a direct narration that has no effect on the imagination.

This research came to raise the issue of the technical overlap between the fictional work and the historical material in a work of the writer Muhammad al-Kamil bin Zaid, in which he relied on the historical narration as a tool for narrating historical facts, and through that artistic intermingling that the writer presents to us, we investigate the effects of historical realism through a group One of the technical techniques adopted by the writer, as we tried to highlight the manifestations of the historical narration in the novel from his artistic plastic side, considering the writer relied on his own reference