جماليات تلقي الخطاب السردي النسوي في الجزائر

Abstract EN

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This research deals with receiving aesthetics in the women's literary creativity of the Algerian portrait of "Dreams of Mostaganemi" and addressed the attitude of the recipient of female speech, as an effective participant in the construction and generation of the meaning, and the text (Marxism), the text is intense with multiple meanings in the direction of the reactions of the reader Zima) independent of the context of the origin of the text and is independent of its structure and creating the desire of al-Haki when the reader, where the writer is grabbed by all its technical and aesthetic possibilities for the heart of the writing equivalent in accordance with an advertising strategy limited by the maximum, intellectual and literary momentum and cognitive as a novel Where their potential to restructure realistic and cultural references in text contexts, and in terms of their ability to create imagined worlds, the recipient is a look for real worlds.

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