تلقي الموروث الشعبي في المسرح الجزائري قبل و بعد ثورة التحرير

Abstract EN

The theater phenomena is a response of the human will which comes from the inside just to turn back to answer this will as a recipient of what's happening around him.

Man from ancient times has always simulated his diaries within his victories and failures trying to transmit that in an artistic way and in an infnit creativity, putting him the center of this process, these phenomena were the seed growing up when the religious societies rised and the appearance of significant rituals expressing their beliefs and intellectual dimensions.

The Greeks has used the Dionysus celebrations to express their existence, yet it was the basis on which drama was settles down in ancient Greece.

So, theater is related with religious rituals related to the primitive theater phenomenon.

According to this, the crucial problem is: Did the phenomenon exist in Algeria, and have these phenomena developed to be a theater? To answer this question we have to search in the Algerian folklore and how was it used? The phenomenon of theater is very recent; it grows up in the French colonialism trying, at that time, to settle down in the society.