مفهوم الدهشة الجمالية بين هانس روبرت ياوس و إدريس بلمليح : مقاربة نقدية مقارنة

Abstract EN

This article discusses the meaning of " the aesthetic of astonishment " in relation to literary masterpieces between "Hans Robert Jauss", the theorist of the aesthetics reception, and the critic who applied it on the literary heritage, "Idris Belemlih".

The comparison concluded that "the aesthetic of astonishment" happens if the literary effect fails the horizon of the expectation of its first audience.

But when the astonishment is justified by a reception that seeks to understand and interpret, it disappears.

Then it becomes an aesthetic experience integrated into the expectation horizon of future generations.

The emergence of the original work of the heritage relic resides in its qualitative technical characteristic which keeps its connotation open, as it is the implicit answer to a question asked by the reader.

As for "Belemlih", he admits that any original literary work remains at all times a source of artistic astonishment and pleasure, and remains an object of understanding and interpretation.

He rejects its incorporation into the horizon of our expectation, as it is a subordinate work belonging to the past.