تجليات التناص القرآني في الرواية الجزائرية : رواية "دم الغزال" لمرزاق بقطاش أنموذجا

Abstract EN

This paper deals with the topic of intertextuality, which was addressed by many critics in the East and West through studies and research that tried to orb it, that textual feature that Julia Kréstiva and other critics single out a great space of their critical studies.

Besides, Arab critics and scholars also took it as a procedural method to measure the extent of literary texts poetic, therefore, we can raise the following problematic: - How did Algerian used it in their fiction? To answer this question, we used an analytical and descriptive approach to study the novel of « The Gazelle's Blood » Of Merzak Bektach, And we headed towards Quranic intertextuality in an attempt to reveal the writer's influence on the Quran, where he created a lively and continuous interaction within a dialogical space.