اتجاه التوجيه في النقد العربي القديم

Abstract EN

The books of Arabic criticism pay much attention to the idea of good quality in order to goo deeply into the Arabic aesthetic innate tasting.

They also put rules to direct the reader to the semantic areas which cannot be grasped from the first glance, trying to set a clear critical standard.

But the subjective perspective of faults is still fluctuating between the standard and interpretation according to the critic tasting.

This is the starting point of the induction of many Arabic books of classical criticism to check the critical orientation of faults and in which the critics tried to interpret and justify these faults as a way of differentiating between prejudiced interpretation and that which results from conviction and understanding.