انثروبولوجيا المنظر و تمثلاته في العرض المسرحي العراقي المعاصر

Abstract EN

Anthropology has revolutionized the world of ethnic societies and in the study of their cultural heritage and how they are inspired by the present and the intellectual systems it holds that push society towards adhering to its roots, which represent a firm belief, and then this science moved to be employed in the theater, as the culture of the theater presented a new vision containing ideas Scientific innovations based on societal ethnicity in inspiring the design of the theatrical scene to simulate the rest of theatrical techniques within the framework of anthropology so the director / designer has a tremendous task in finding modernist ways to simulate societal rituals and this stems from the fact that the director has a conscious mind and has new readings and modernist aspirations with the ability to Deletion and addition through its tools and materials represented in drawing an anthropological landscape.

Accordingly, the current research dealt with four chapters.

The first chapter included the research problem that centered on the following question: Identifying the anthropology of the scene and its representations in the Iraqi theater show .

While the importance of the current research was manifested in the study of one of the topics that reveals the technology of making the anthropological scene in the theatrical presentation, the limits of the research were limited to the time limit for the years ( 5102 ) and the spatial limit in Iraq came in the national theater, while the objective limit is an anthropological study The scene and its representations in the theatrical presentation and presented in the theater of the box, while the second chapter included two topics, the first topic came in the study of the concept of anthropology beginning with its roots in the theater throughout history, and the changes and developments that have affected the theater, and the second topic about me is to study the concept of anthropology and its representations in the global and Arab theater With two contemporary directors, the chapter was concluded with the indicators that resulted in the theoretical framework, while the third chapter included research procedures where the researcher glorified the presentation of the play (Adam's Ship).

It is directed by (Yassin Ismail), as an analytical sample for the research, adopting the descriptive approach in analyzing his sample.

In the fourth chapter, the researcher came out with a set of results and conclusions, sources and references, and the research ended in the fourth chapter to the scale of the results of the sample analysis, then the list of margins and sources followed.