جماليات بنية الخطاب في أغاني المناسبات الدينية

Abstract EN

Musical and lyrical heritage is a large storehouse of practices in its many forms that are concerned with worldly and religious life.

The recitation of the Noble Qur’an had its distinctive features, and one of the factors behind the formation of patterns of religious mantras, which occupied a high position in Arab singing, and was closely related to the various religious occasions in Islamic society.

These types of mantras performed by Muslims, most of them poems and supplications, carry subjects of religious characteristics, or texts in a spiritual atmosphere, such as monotheism and supplication, and the biography of the Messenger, the household, and others.

This research aims to identify the aesthetics of the structure of discourse in the song of religious occasions, for a lyrical style characterized by specific characteristics in terms of form, content, expressive word, appropriate melody and musical instrument used, when presented on the religious occasion celebrated by society, which is greatly appreciated, stems from the nature of the occasion that Presented in it, and the expressive implications that it carries, and related in essence to the beliefs rooted in the conscience of society, through four chapters, the first included the methodological framework for research and consisting of the research problem, which was identified in the following question: What are the aesthetics of the structure of discourse in the song of religious occasions), and the aim of the study was to reveal the aesthetics of the structure of discourse in the song of religious occasions, as this chapter included the importance of research and its limitations of research as well as the definition of terms, while the second chapter may be of the first two topics that include the emergence of the religious song, As for the second, it included a structure for the religious song.

The third chapter specified the research procedures, as it followed the descriptive approach and the method of analyzing the content.

The sample is to contribute to achieving the aim of the research.

The fourth chapter of this study includes the most important results, including: 1-The religious song depends on its musical composition and the rhythms of Arabic music.

2- It is a singular authorship, and the classical language is adopted, because its occasion is not a local presentation, after which recommendations are included, then the research sources.