الأبعاد المفاهيمية و الجمالية للضوء في فنون ما بعد الحداثة

Abstract EN

The present research aims (conceptual and aesthetic dimensions of light in the postmodern arts) to identify the conceptual and aesthetic dimensions of light in the postmodern arts, and their role in the representations of the work in the movements of contemporary art (drawing, design), the research included four chapters, the first chapter, Explain the problem of research by answering the question: What are the conceptual and aesthetic dimensions of light in the postmodern arts? The aim of the research was to know (the conceptual and aesthetic dimensions of light in the postmodern arts) .While the limits of the research: the study of the conceptual and aesthetic dimensions of light in the postmodern arts: (visual art - art dynamic light, conceptual art - art Language) in the period from 1985 to 2013 in Europe and America, and the definition and definition of the most important terms in the title of the research.

The second chapter dealt with (Light sculptures in art)The third chapter included the procedures of the research.

The research community: where the researcher could not surround the research community; because of its enormous breadth, it collected a framework for the community numbered (100) artwork and design for artists, and designers within the boundaries of the research, and the sample of the research: The analysis of the sample of the research (4) model was chosen intentionally.

In the research methodology, the descriptive method was selected for the analysis of the research sample.

The fourth chapter included the research results, conclusions and recommendations.

1 The conceptual dimensions were represented by the visual and tangible detection of the concepts of light, aesthetic and psychological expression.

As in the sample sample number (1, 2, 3, 4( 2 The aesthetic dimensions of color values are not fixed for objects and shapes, but are caused by the change of light falling on them.

As in the sample sample number (1, 2, 3, 4( The conclusions reached by the research are as follows: 1 Thanks to scientific and technological advances, the contemporary artist, through observation and experimentation, has invested in new technologies, including light and photovoltaic technology.

2 Light is the source of life, a mystery in our lives and its presence is important in all modern and postmodern arts, because it is the actual effect on the recipient's response and his emotional and psychological reactions through the light reflections of the shapes on the visual eye, the relationship between light and visual vision is an existential relationship.

In the sense of the light would not be the presence of lack of darkness does not shine in it or dia.