مفهوم السيولة و تمثلاتها في العرض المسرحي العراقي

Abstract EN

Modernity has been associated with major ideologies and their narratives by producing its own knowledge and life system, justifying that by monopolizing the truth with decisive monism and centralism.

The research consisted of four chapters.

The first chapter (Methodological Framework) contained the research problem based on the question of the extent of liquidity representations In the Iraqi theatrical show, as for the purpose of the research, it was (uncovering concepts and procedures and representing liquidity in the Iraqi theatrical show).

The research boundaries were indicated in their temporal limit between the years (2019-2020) to include (Iraq) spatially, while its objective limit was based on: (the concept of liquidity And its representations in the Iraqi theatrical show).

As for the second chapter (the theoretical framework), it came on two topics, the first carried the title: (Liquidity in International Theater Performances).

The second topic came under the title: (Liquidity in Arab and Iraqi Theatrical Performances) As for the third chapter (Research Procedures), it included: The Research Society, and the Research Sample which included two theatrical performances: (Shakespeare Basket) Prepared and Directed by (Dr.

Halim Hatf) 2019, Hunayn Harir presented, authored and directed by (Dr.

Jawad Al-Asadi) 2020, as he adopted the descriptive analytical method, taking the indicators of the theoretical framework as a research tool.

The research concluded in the fourth chapter and the results and conclusions it carried.