قراءة حرة داخل نصوص جديدة من مقومات الجمال في صياغة النص الشعري الجديد : ديوان أرجوحة القمر الرخلاسي الذي... أنموذجا

Abstract EN

One of the most remarkable challenges of the contemporary critical consideration is the study of poetry; breathlessly throughout the day and the hour,in term of modernity and renewal in all its aesthetic devices.

This is why we have to accept the new renewed poetic texts and their permanently assiduous and hasty rotation.

Likewise, we had to keep pace with this speed critically in order not to escape the reins of intonation and balanced guidance.Not only this but also to get the opportunity to dive deep into the midst of literary aesthetics in general and poetic in particular, by opening the analytical tasting doors for new free texts, through free readings which are not bound by a specific doctrine or approach.

Reading free texts provides an opportunity to apply an open poetic criticism.

Hereafter, Osama Taj El-Sir’s divan OrjohatAlgamarAlkhalasi is taken as case for the present study to examine the instrumental aesthetic devices in formulating the new poetic text which are considered the main axes of aesthetic studies, namely: music, semantics composition, and imagery through the inductive analytical method.

The following six poems were chosen to fulfill the study: (OrjohatAlgamarAlkhalasi, MadatSineenElomerBaaadk, Gabel, KhalfMahagrk Alan Ajneha, AlsalamalaDifatiHoznkAlnahr and AlgaragalaMaabrAlnar).

The most important finding of the study is that, the composition of the poetic phrases and their artistic components in a distinguish manner constituted the most prominent traits of beauty in the texts which allowed the readers to describethemas compassionate portal compositions where the recipient are allowed to share the poet’s sense and feeling