التشكيل البصري و إيقاع البياض و السواد في قصيدة الهايكو : مقاربة تفكيكية تأويلية

Abstract EN

This article deals with the vitality and kinetics of visual formation on the body of the page, and the game of white and blackness in the short poem, especially the haiku text, as it is a writing style and a new poetic type that imposed its presence in the arena of creativity and renewal, to enter the worlds of experimentation, and achieve its presence in the arena of literary and artistic creativity, within an approach an interpretive deconstruction that attempts to establish a procedural critical vision, framing the horizons of analyzing the modern poetic literary discourse, and the birth of a new text in the stage of adventurous experimentation that is open to change.