التعالق الفني نحو تبئير الفن الروائي و ازدواج خطية السرد

Abstract EN

The merging of the narrative body (the novel) and the visual body represented in the photography in a unified formula allows us to stand on two semantic fields, the first of which is aesthetic related to the semiotic pattern of the visual and the other to the literary one related to the linguistic form on the one hand, and those close to each other, on the other hand, lies in the fact that both reinforce the content of the other, for photography is considered a supportive tool for the narrative content whoever the literary body reads the photography picture and erases confusion about it, as well as enumerates the readings that surprise the mind of the recipient and thus relax and offer him more comfort while trying to identify the interpreters of the photography picture.