الثقافة "المعولمة" بديلا عن الوعي النقدي : (جدل الإمكان و الإمتناع)‎ الوعي الجمالي أنموذجا

Abstract EN

The article aims to highlight the critical dimension of aesthetic awareness and link it to the context of critical theory and its practices, since it was liberated from the classical aesthetic theory that relied on the analysis of aesthetic taste and judgment; This dimension was determined by the original efforts that linked art with critical social theory, through prominent stations in the history of the dialectic of the relationship between aesthetic theory and social critical theory.

These stations are represented in the tireless efforts of Marxist aesthetics by investing Marxist ideas related to its theory of art in its relationship with the forces of society, and the contributions of the Frankfurt School through its theory of social criticism and the involvement of art in the critical process that affected the one-dimensional materialism that characterized the modern capitalist society, and finally the efforts of The sociology of beauty that puts aesthetic theory into question by revealing the historical awareness of aesthetics and its products.

This critical dimension of aesthetic awareness continues to this day in light of what globalization is witnessing with its effects, flows and conflicts; This was accompanied by the aesthetic theory’s demand for a lot of flexibility in revealing the original mission of aesthetic awareness within contemporary civilization, which is to combat and criticize all forms of alienation produced by our civilization today, and then work to raise aesthetic awareness and taste within this civilization.