سيميائية مقام الهوية في رواية الأمير مسالك أبواب الحديد : مقاربة تداولية للمقام التلفظي

Abstract EN

The novel is a discourse of various linguistic levels, which the creators make as a stage for them to practice through which the critic cannot practice in his critical texts, and thus the novelist gives himself free rein and writes about what appeared to him, based on this introduction, my research are drawn up, through which I chase the identity in a narrative text whose language is still conducive to life, which is the book of the prince, by Wasseni al-Araj.

and it took the pragmatic approach as an application to study personalities’ characters of the novel wish is mixed between reality and fiction, and I have adopted in my approach the analysis of verbal positions and that by trying to classify them according to the position of the protagonist character in the novel, as I used critics specialized in this field and as Abd al-Wasi 'al-Hamiri and among Taha Abd al-Rahman, and who have Waseni al-Araj, and I have followed an approach that I do not doubt is serious through what has fallen it has my eyes on some important critical readings.

I tried to be in this article more impersonating than me to an ordinary article, and therefore this was the cornerstone of choosing purely pragmatic or contextual side with the modern simultaneous terminology in order to dismantle the reins of the identity construction.

in an indefinite conclusion, we say that the nature of the historical novel requires the modern presence of history more than the fictional presence on the one hand, and it requires the withdrawal of the creator's voice from the narrative arena in order to make room for the reader to deconstruct the paths of events that have a modernist component mixed between the historical and the imaginary.