الموضوعية و الذاتية في الإخراج السينمائي : فيلم "رحلة إلى الجزائر" لعبد الكريم بهلول-نموذجا

Abstract EN

In this article we want to highlight the impact of objectivity and subjectivity in a cinematographic film whose director, who is also the screenwriter of the film, tells a true story that he lived.

the analysis of the film “the trip to Algiers” brought out the following points.

this is an autobiographical tale, written and directed by Bahloul, the filming took place in his own city.

the part of objectivity of subjectivity and the commitment through the film is manifest supported on the basis of the declarations of the scenario writer.

the scenario writer, committed artist, defends the cause of the female condition, the love of the fatherland, the notion freedom, discredited immigrants.

kadirou, the child witness is confronted with the harsh realities of life, a real plea for justice and freedom for the oppressed, the forgotten, in their own country.