موت النص في الشعر الجزائري المعاصر

Abstract EN

The poetic experience can only be creative with the language, and thus the language is a tool for creativity and an end for it.

Moreover, it is this magic thread that does not necessarily make the reader feel poet - and he is able to do so - but, it forcibly introduces him into a world inhabited by this category that oscillates between madness and madness, On the other hand, the poetic language and the poetic texts that it formed in contemporary Algerian poetry have turned into spaces for experimentation, irrationality, and poetry, and convoys from the builders of these spaces have been searching for a non-existent reader, and for a fan who may find what he likes.

The texts remained a witness to a historical stage, ranged between the ence of innocence of creativity and the presence of reckless prosecution, and this is what we wanted to discuss in this paper.