الفضاء النصي و تشكلاته في ديوان (سيرة الشجن)‎ لمحمد السقاف : مقاربة تداولية لاستجابة القارئ

Abstract EN

Modern poetic discourse has tended to rely on visual vision and the use of a number of different drawings and methods, varying according to the different and distinct uses and choices of poets in order to suit their texts.

Because the modern poet realized that his texts had become more visually presented to the reader than to the audio, he resorted to these uses of visual techniques to express his poetic and emotional experiences.

The Saudi poet is no different from the rest of the poets in the modern era, we find that he paid attention to these methods and techniques, including the poet Mohammed al-Saqqaf used them and employed them in his poetic experience, to provide his texts with semantic flows according to his vision and ideas that he wants to express.

Therefore, this research came in accordance with a deliberative approach to the reader's response, to find out the study of a modernist phenomenon brought about by the poetic revolution of renewal, the phenomenon of textual space and its formations in Diwan (The Biography of Al-Shajan by Mohammed al-Saqqaf).

The study concentrates on three axes of these formations: the axis of whiteness and blackness, the axis of the poetic line, and the axis of punctuation, to clearly show the poet's emotional state when using and employing these forms, and to show the poet's passion, sadness and psychological crisis towards the tension of himself and the inequality of this self with these painful feelings, as well as the extent to which these forms affect the conscious recipient of the poet's participation through his emotional and poetic experiences by responding to these various methods.