العنوان في الرواية النسائية الجزائرية

Abstract EN

The study aims to reveal the aesthetic of the title as a basic textual threshold that represents a discourse that carries intense semantic charge, expressing the female self and the writer self, as well as revealing the poetic communication and separation as well as the paradox and connotation of many titles of the feminist novel, through an analytical study of a sample of them, and shedding light on their structures and its various hidden connotations that make it a unique text, its relationships with the text, and then clarifying the functions that the title performs in influencing the reader.

The title of the Algerian feminist novel produced suggestions that interrogate the writer's self in all the formations of its aspects, raising political and social issues, and the problems of the feminine identity, and the marginalization of Algerian women in a male society in a poetic way, the titles related to each other to separate the institution of an independent entity, which has its own unique characteristics.

Sometimes short with a condensed semantic, and a nominal, symbolic sentence, it suffices with the main title and the ence of subheadings, and substitutes it with numbers.