المقاييس الفنية في تقديم الشاعر عند نقاد الأدب القدامى. امرؤ القيس و النابغة الذبياني أنموذجا

Abstract EN

The critique in ignorance has been spontaneous.

Critics have been controlling their criticism of poets to their own taste, This remained the case until the abbaside era.

when critics depended in presenting poets, on soma es thetic standards which are the artistic properties that the poet dependson to show his poeticalness especiadly for Ibn Salem El jomahi, Ibn Rachik and of her critics.

as long as Imroe Elkays and the Annabigha Addobyani wer considered as the best poets of the pre- islamic ere generally, and the pendants poets specifically, i have tended to follow the ancient criticis, vision in their poetry tgrough following the bold artistic aspects in each poets poetry and I found out that charactezed by the formula and new expressive in thods and an analog quality, and charcaterized the good preamble and abundance