الحداثة الغربية كمشروع للنقد عند طه عبد الرحمن آمال بن علي.

Abstract EN

: Modernity has become one of the most commonly used concepts in Arab and Islamic intellectual, literary and critical studies, and it is widely used.

Modernity has not remained confined to the environment of Western culture by virtue of its origin and origin, but has spread, spread and extended to environments other than its own in the name of modernization and renewal, and on which philosophies of increasing presence and prestige are based.

Under the pretext of trying to bring closer the Western modernist paradigm to the Arab-Islamic intellectual heritage.

Rather, this newcomer often uses ambiguity and improvisation to express heterogeneous connotations, reflecting the exacerbation of the blind dependency on Western civilization, and the inability to distinguish between the peculiarities of each deliberative field.

However, this state of affairs to which the reality of Arab and Islamic thought has resulted in projects and visions critical of the reality of Western modernity, and this is what we see in Taha Abd al-Rahman's stance towards Western modernity.

And who has endeavored to produce an authentic discourse critical of the elements of Western modernity, in order to reveal its pests, undermine its foundations, and show the crumbling of its ideas.

What are the critical and constructive tools that he invoked in this critical reading of Western modernity? What are the moral lesions of Western.

civilization? Then how can you confront it and reveal its background