خصوصية التجربة الشعرية في المعارضات النبوية الجزائرية القديمة : جمالية التناصّ في نص المعارضة العطارية

Abstract EN

Research Objectives: The study examines the authenticity of the pastich poetic text and its artistic specificity through the Algerian prophetic pastiches in the ancient epoch.

It questions the stylistic approaches that support its poetic independence underneath the emotion of admiration; in search of the technical dissimilarities and their role in overcoming the pastich experience despite its influence, by implementing contemporary procedural mechanisms, adopting intertextuality feature.

Study Methodology: Our research investigates the aesthetic independence of the pastich text in quest of new poetic pastiches, relying on the stylistic approach.

Results: The inquiry concluded with artistic outcomes in the pastich text that prove its creative characteristic, which must be undertaken critically with contemporary procedures that reflect aesthetic horizons underlining the extent of its interaction with the recipient.

The originality of the research: The groundwork research attempts to illustrate the contemporary artistic methods that prove the creativity of the pastich poetic text.

Moreover, it depicts the aesthetic theory of reception through which we will try to link its procedures in the future to the pastich text.