القصيدة التشكيلية في ديوان سمكة البياض لمحمد عادل مغناجي

Abstract EN

In its poetic context, this article aims to try to identify the components of the plastic poem and its unconditional openness to non-linguistic technical data, emphasizing those structural transformations at the level of vision and formation, which provided the poem with aesthetic dimensions, developed the linguistic system and grafted it with an iconic system (music, drawing).

Its blending with poetic language is an intellectual and artistic container, as well as the nature of the dialectical relationship between these arts and the expressive and visionary specificity they contain.