الأوبئة و فلسفة الفن

Abstract EN

The artist touches reality in order to simulate existence and represent it aesthetically through language, chromatic composition, or theater.

Therefore, the epidemic is a disease that threatens human life and its characteristic is the spread and infection that occurs in a gradual framework until it expands and its danger becomes more threatening to the existing assets, so self-expression is a philosophy of survival And resistance to the artist, it is an epic that artists raise in order to ward off oblivion and perpetuate crises and their effects on humanity, the study consists of axes on the initial concepts of epidemics, narration and its impact in the time of the spread of viruses and diseases, drawing and its relationship in the formation of epidemiological painting.

The problem of the study : What is the artistic philosophy in the midst of the epidemiological meaning ? How do literary monuments employ the epidemic picture ? Is color shaping the psychological sense of epidemics, a design for life between coexistence and the hope of recovery ? Where is the artist located in the embodiment of suffering or in focusing on the self and the other through the aesthetic that opens the horizon of expectation ?.